Birdsong. Photographs by Philip Trager. Essay by Russell Fuchs. Verona, Italy: Laru, 2017.
Photographing Ina. Photographs by Philip Trager. Essay by Andrew Szegedy-Maszak. Göttingen, Germany: Steidl, 2016.
New York in the 1970s. Photographs by Philip Trager. Essay by Stephen C. Pinson. Göttingen, Germany: Steidl, 2016.
Philip Trager. Retrospective. Photographs by Philip Trager. Essays by Barbara L. Michaels, Norton Owen, Andrew Szegedy-Maszak, and John Wood. Interview by Stephanie Wiles. Göttingen, Germany: Steidl, 2006.
Faces. Photographs by Philip Trager. Göttingen, Germany: Steidl, 2005.
Changing Paris: A Tour along the Seine. Photographs by Philip Trager. Architectural commentary by Thomas Mellins. Foreword by Pierre Borhan. Introduction by Diane Johnson. Santa Fe, New Mexico: Arena Editions, 2000.
Persephone. Photographs by Philip Trager. Poems by Eavan Boland and Rita Dove. Text by Ralph Lemon and Andrew Szegedy-Maszak. Middletown, Connecticut: Wesleyan University Press with The New England Foundation for the Arts, 1996.
Dancers. Photographs by Philip Trager. Foreword by Bill T. Jones. Essays by Joan Acocella and David Freedberg. Afterword by Mark Morris. Boston: Bulfinch Press, 1992.
The Villas of Palladio. Photographs by Philip Trager. Text by Vincent Scully. Foreword by Renato Cevese. Introduction by Michael Graves. Boston: New York Graphic Society, 1986.
Wesleyan Photographs. Photographs by Philip Trager. Foreword by Paul Horgan; Text by Vincent Scully, Eve Blau, and Samuel M. Green, II. Middletown, Connecticut: Wesleyan University Press, 1982.
Philip Trager: New York. Foreword by Louis Auchincloss. Middletown, Connecticut: Wesleyan University Press, 1980.
Photographs of Architecture. Photographs by Philip Trager. Introduction by Samuel M. Green II. Middletown, Connecticut: Wesleyan University Press, 1977.
Echoes of Silence. Photographs by Philip Trager. Danbury, Connecticut: Scroll Press, 1972.
BOOKS BY PHILIP TRAGER WITH OTHERS
Feinberg, Jean E. Wave Hill Pictured: Celebration of a Garden. Photographs by Lois Connor, Jan Groover, Stephen A. Scheer, and Philip Trager. Essay by Peter H. Sauer. New York: Abrams, 1991.
Birmingham 1988: The Birmingham News Centennial Photographic Collection. Photographs by William Christenberry, Bruce Davidson, Robert Frank, Duane Michals, Gordon Parks, and Philip Trager. Essay by Douglas K. S. Hyland. Birmingham, Alabama: Birmingham Museum of Art and The Birmingham News, 1988.
Berry, Ian and Shear, Jack. Borrowed Light. Munich, London, New York: DelMonico Books, Prestel, 2017: p 271.
Riboud, Marc. Paroles D'un Taciturne, Paris: Delpire Editeur, 2012: pp 144-145.
Eiko and Koma. Eiko & Koma: Time is Not Even, Space is Not Empty. Minneapolis, Minnesota: Walker Art Center, 2011.
Hansgen, Karen, with Schellong, Rüdiger. Schmatz! Lunches at Steidl. Göttingen, Germany: Steidl, 2010.
The McNair Scholarly Review. Winter 2010.
Kloetzel, Melanie and Pavlik, Caroline, eds. Site Dance, Gainesville: University Press of Florida, 2009.
Noisette, Philippe. Le corps et la danse. Paris: Éditions de La Martinière, 2005.
Elwall, Robert. Building with Light: The International History of Architectural Photography. London and New York: Merrell, 2004.
Flesh and Spirit, vol. 6, 21st: Journal of Contemporary Photography (2004).
Felshin, Nina. The Alumni Show. Middletown, Connecticut: Ezra and Cecile Zilkha Gallery, 2003.
James, Christopher. The Book of Alternative Photographic Processes. Albany, New York: Delmar, Thomson Learning, 2002.
Paris–New York aller-retour. Giverny: Terra Foundation for the Arts and Musée d’Art Américain Giverny, 2002.
Horenstein, Henry, and Hart, Russell. Photography. Upper Saddle River, New Jersey: Prentice Hall, 2001.
The Power and Passion of Dance: Dance Photographs from the Carol Halsted Collection. [Detroit]: Carol Halsted, 2000.
Playing Off Time: Contemporary Photographers in Dialogue with the Past. Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1999.
The Ernst Haas Memorial Collection. Portland, Maine: Portland Museum of Art, 1998.
George, Alice Rose, and Lee Marks, eds. Hope: Photographs. New York and London: Thames and Hudson, McMullen Museum of Art, 1998.
Ewing, William A. The Body: Photoworks of the Human Form. New York and London: Thames and Hudson, 1994.
Kreitler, Peter Gwillim. Flatiron: A Photographic History of the World’s First Steel Frame Skyscraper, 1901–1990. Foreword by Weston J. Naef. Washington, D.C.: American Institute of Architects Press, 1990.
Krantz, Les, ed. American Photographers: An Illustrated Who’s Who among Leading Contemporary Americans. Foreword by Cornell Capa. New York: Facts on File, 1989.
Sullivan, Constance, ed. Legacy of Light. Introduction by Peter Schjeldahl. New York: Alfred A. Knopf, 1987.
Auer, Michel. Encyclopédie internationale des photographes des débuts à nos jours. Photographers Encyclopedia International. Hermance: Camera Obscura, 1985: New York: Crown Publishers, 1988. CD-Rom ed.: Neuchâtel: Ides et Calendes, 1997.
London, Barbara, et al. Photography. 3rd ed., Boston: Little, Brown and Company, 1985; 6th ed., New York: Longman, 1998; 8th ed., Upper Saddle River, New Jersey: Prentice Hall, 2005, 2011 and other editions.
Lemagny, Jean-Claude. Le Photographie Créative: Les Collections de photographies contemporaines de la Bibliothèque Nationale, Paris: Contrejour, 1984.
Browne, Turner, and Elaine Partnow, eds. Macmillan Biographical Encyclopedia of Photographic Artists and Innovators. New York: Macmillan, 1983.
Walsh, George, Colin Naylor, and Michael Held, eds. Contemporary Photographers. 1st ed. New York: St. Martin’s Press, 1982; Colin Naylor, ed. Contemporary Photographers. 2nd ed. Chicago: St. James Press, 1988.
American Photographers Today. Tokyo: Tokyo Designers Gakuin College and Tokyo Photographic College, 1981.
Witkin, Lee D. A Ten Year Salute: A Selection of Photographs in Celebration, The Witkin Gallery, 1969–1979. Danbury, New Hampshire: Addison House, 1979.
Witkin, Lee D., and Barbara London, eds. The Photograph Collector’s Guide. Boston: New York Graphic Society, 1979.
AIGA: The Book Show. New York: American Institute of Graphic Arts, 1977.
Ron Stark/Philip Trager. San Francisco: San Francisco Museum of Art, 1974.
The Art of Photography. New York: Time-Life Books, 1971.
Albin O. Kuhn Library and Gallery, University of Maryland, Baltimore, Maryland
The Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
American Institute of Graphic Arts, New York
The Baltimore Museum of Art
The William Benton Museum of Art, University of Connecticut, Storrs, Connecticut
Birmingham Museum of Art , Birmingham, Alabama
The Brooklyn Museum
Bibliothèque Nationale, Paris
Canadian Centre for Architecture, Montreal
Center for Creative Photography, Tucson, Arizona
The Century Association
State of Connecticut, Hartford, Connecticut
Davison Art Center, Wesleyan University, Middletown, Connecticut
deCordova Sculpture Park and Museum, Lincoln, Massachusetts
Fairfield Museum and History Center
Galeries Fnac, Paris
George Eastman House International Museum of Photography and Film, Rochester, New York
Library of Congress, Washington, D.C. (definitive collection)
Metropolitan Museum of Art, New York
Musée Carnavalet, Paris
Musée de l’Eysée Lausanne, Switzerland
The Museum of Modern Art, New York
Museum of the City of New York
National Building Museum, Washington, D.C.
National Gallery of Art, Corcoran Collection
New Orleans Museum of Art
New York Historical Society
New York Public Library
The Phillips Collection, Washington, D.C.
The Polaroid Collection, Cambridge, Massachusetts
Portland Museum of Art, Portland, Maine
St. Petersburg Museum of Fine Arts, St. Petersburg, Florida
Smith College Museum of Art, Northampton, Massachusetts
Smithsonian Institution; The National Museum of American History, Washington, D.C.
Smithsonian Institution; The National Portrait Gallery, Washington, D.C.
Yale University Gallery of Art, New Haven, Connecticut
SELECTED SOLO EXHIBITIONS
ilon Art Gallery, New York, New York, 2017
Davison Arts Center, Wesleyan University, Middletown, Connecticut, "Philip Trager: Photographing Ina; 2016
The New York Public Library, New York, New York, Echoes of Silence: Philip Trager, Early Photographs, 1967-1983, 2012-2013 AD-Galerie, Genolier, Switzerland, Dance and Cities, 2012
The National Building Museum (in cooperation with the Library of Congress), Washington D.C., 2009-
The American Institute of Architects, Washington, D.C., 2009-2010, 1982
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, 2007 (Retrospective)
Wesleyan University, Middletown, Connecticut: Center for the Arts, 2006 (Retrospective); Davison Art Center, 2006 (Retrospective)
John Stevenson Gallery, New York, 2006 (Retrospective)
University Art Gallery, University of Massachusetts Dartmouth, New Bedford, Massachusetts, 2006 (Retrospective)
Jacob’s Pillow, Becket, Massachusetts, “Philip Trager: A Pillow Retrospective,” 2006
Museo Nazionale di Villa Giulia, Rome, 2002
Embassy of France, Washington, D.C., 2000
Fahey-Klein Gallery, Los Angeles, 2000
The French Library and Cultural Center, Boston, 2000
The Ralls Collection, Washington, D.C., 2000
Julie Saul Gallery, New York, 1992, 1995, and 2000
Les Recontres Internationales de la Photographie, Arles, France (Fnac) (traveled to sixteen venues in
France, Spain and Belgium), 1994–1999
Photographic Resource Center, Boston, 1996
Photographs for the Dance Anthology Project, Jacob’s Pillow, Becket, Massachusetts, 1994, 1995, and 1996
Museum of Photographic Arts, San Diego, 1994
Savannah College of Art & Design, Georgia, 1994
Troyer/Fitzpatrick/Lassman Gallery, Washington, D.C., 1994
Vision Gallery, San Francisco, 1993–1994
Jacob's Pillow, Becket, Massachusetts (traveled to various venues), 1993 and 1994
Drew University, Madison, New Jersey, 1993
Fondation Ledoux, Saline Royale d’Arc et Senans, France, 1991 and 1999
Museum of Art, University of Oregon, Eugene, 1989
Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, 1989
Light Impressions Gallery, Rochester, New York, 1988
International Center of Photography–Midtown, New York (book exhibition), 1987
Milwaukee Center for Photography, Milwaukee, Wisconsin, 1984
Camera Work Gallery, Port Washington, New York, 1981
Centre International de Fotografia, Barcelona, 1981
Photo Gallery International, Tokyo, 1981
Ufficio dell’Arte, Paris, 1981
Museum of the City of New York, 1980–1981
Boston Center for the Arts, Boston, Massachusetts, 1979
Friends of Photography, Carmel, California, 1978
Milwaukee Center for the Arts, Milwaukee, Wisconsin, 1978
The Baltimore Museum of Art, Baltimore, Maryland, 1977
Focus Gallery, San Francisco, 1977
Museum of Arts, Science and Industry, Bridgeport, Connecticut, 1977
University of Connecticut Museum of the Art, Storrs, Connecticut, 1977
Washington Gallery of Photography, Washington, D.C., 1975
San Francisco Museum of Art (with Ron Stark), 1974
The Witkin Gallery, New York, 1972, 1977, 1980, and 1986
831 Gallery, Birmingham, Michigan, 1972
Wesleyan University, Middletown, Connecticut: Center for the Arts, 1970, 1987; Davison Art Center, 1974, 1981, 1992, 2000
Underground Gallery, New York, 1970
SELECTED GROUP EXHIBITIONS
Converging to a Center, Davison Art Center, Wesleyan University, Middletown, CT 2017
My Manhattan, ilon Art Gallery, New York, New York, 2017
The Phillips Collection, Washington D.C., FotoWeek at the Phillips, (photographs from the permanent
collection), November 7, 2105- January 31, 2016.
ilon Gallery, New York, New York, Harlem: Life in Pictures, October 22,2015-January 8, 2016
Dance, Thomas J.Walsh Art Gallery, Quick Center for the Arts, Fairfield University, Connecticut, 2015- 2016
Highlights of Landmark Exhibitions, Jacobs Pillow Dance Festival, Becket, Massachusetts, 2015
American Gallery, Birmingham Museum of Art , Birmingham, Alabama, 2014
Decades of Dance, Jacob’s Pillow Dance Festival, Becket, Massachusetts, 2012
Creative Acts, Davison Art Center, Wesleyan University, Middletown, Connecticut, 2009
Mark Morris “Portraits,” Furman Gallery, Walter Reade Theatre, Lincoln Center, New York, 2006
Photography and the Page, Manwaring and Joanne Toor Cummings Galleries, Connecticut College, New London, Connecticut, 2006
My Friends: Their Vision, Weber Fine Art, Greenwich, Connecticut, 2006
Paris–New York, aller-retour,Musée d’art Américain, Giverny, France, 2002
Imaging Paris: Six Photographers’ Views of the City,Yale University Art and Architecture Library, New Haven, Connecticut (book exhibition: Atget, Brassaï, Doisneau, Marville, Lee Miller, Trager), 2002
Through the Lens at Jacob’s Pillow,Puffin Foundation, New York, 2002
Sun Works: Contemporary Alternative Photography,Art Institute of Boston, 2001–2002
Look Out! Photographing Dancers Outdoors,Jacob’s Pillow Dance Festival, Becket, Massachusetts, 2001
The Halsted Dance Photography Collection,Akron Art Museum, Akron, Ohio; Detroit Institute of Arts, Detroit, Michigan, 2000
Playing Off Time, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1999–2000
John Stevenson Gallery, New York, 1999
Paris/New York, Jane Jackson Gallery, Atlanta, Georgia, 1999
Selections from the Museum of Fine Arts,St. Petersburg, Florida, 1999
The Body in the Mirror, Musée de l’Elysée Lausanne, Lausanne, Switzerland, 1998; Photographic Center of Skopelos, Skopelos, Greece, 1998; and Montreal Museum of Art, Montreal, Quebec (La Siècle du Corps Photographies, 1900–2000), 2000
O século do corpo, Cultargest, Lisbon, 1999
New York at 100,Rockland Center for the Arts, West Nyack, New York, 1998
New York, Helluva Town,The Platinum Gallery, New York, 1998
The Ernst Haas Memorial Collection,Portland Museum of Art, Portland, Maine, 1998
Portraits—19th and 20th Century Photography,Marlborough Gallery, New York, 1997
Body in the Lens,Montreal Museum of Fine Arts, Montreal, Quebec, 1997
Hope Photographs,National Arts Club, New York; Katonah Museum of Art, Katonah, New York;
University of Oregon Museum of Art, Eugene, Oregon; Tatistcheff Gallery, New York, 1997
Woodstock Photography Workshops Faculty Exhibition, Woodstock, New York, 2001 and 1997
Photography: The Platinum Gallery, New York, 1997
Works From the Platinum Collection,Photo-Eye Gallery, Santa Fe, 1997
Loves & Legends,Photography: The Platinum Gallery, New York, 1998
Dance Photography,Howard Greenberg Gallery, New York, 1996
Photography: The Platinum Gallery, Santa Fe, 1995
Images on Common Ground: Trager/Lindquist,Jacob's Pillow, Becket, Massachusetts, 1992
In a Time of Censorship,University of Massachusetts, Dartmouth, Massachusetts, 1992
The Twentieth-Century City,Houk/Friedman Gallery, New York, 1991
ManipulatorRetrospective,Alinari Museum, Florence, 1991
Selected Photographs,Brooklyn Museum, 1989
Ten Years, 1979–1989,Photo Gallery International, Tokyo, 1989
Portfolio Gallery, London, 1989
Legacy of Light,DeCordova Museum, Lincoln, Massachusetts, 1988
Visual Experiences of Architecture: Form and Content,Wesleyan University, Middletown, Connecticut, 1988
Photographs from Close-Up Magazine, Clarence Kennedy Gallery, Cambridge, Massachusetts, 1986
Masterworks of Contemporary Photography, University of Connecticut, Storrs, Connecticut, 1986
Exhibition for Lee Witkin, Bibliothèque Nationale, Paris, 1982; Memorial Exhibition for Lee Witkin, Tisch School of the Arts, New York University, 1985
Le Photographie Créative: Les Collections de Photographies Contemporaines de la Bibliothèque
Nationale, Paris, 1984
15th Anniversary Exhibit, 1969–1984: A Selection from the Years,Witkin Gallery, New York, 1984
101 Photographs: Selections from the Steinman Collection,Santa Barbara Museum of Art, 1984
Exhibition of Photographs from the Permanent Collection,Smith College Museum of Art, Northampton, Massachusetts, 1984
Ranchos de Taos: A Photographic History,Museum of Fine Art, Santa Fe, New Mexico; Colorado Springs Fine Arts Center, Colorado Springs, Colorado; Amon Carter Museum of Western Art, Fort Worth, Texas, 1983
Landscape/Cityscape,Susan Spiritus Gallery, Newport Beach, California, 1983
Contemporary Foreign Photographers from the Collection,Bibliothèque Nationale, Paris, 1982
Five Years at the Creative Photography Gallery, Creative Photography Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982
Masterpieces of Photography from Wesleyan University and Private Collections, Davison Art Center, Wesleyan University, Middletown, Connecticut, 1982
New Acquisitions, Museum of the City of New York, 1981
New Acquisitions, Corcoran Gallery of Art, Washington, D.C., 1981
Manhattan Observed: Fourteen Photographers Look at New York, 1972–1981, New York Historical Society; New York State Museum, Albany, 1981
Photo Gallery International, Tokyo, 1981
The Photographer and the Frame,Wesleyan University, Middletown, Connecticut, 1980
Photographers Look at Buildings,Yale University Art Gallery, New Haven, Connecticut, 1979
Attitudes: Photography in the 1970s,Santa Barbara Museum of Art, Santa Barbara, California, 1979
A Ten-Year Salute,Witkin Gallery, New York, 1979
Four Photographers,Creative Photography Laboratory, Massachusetts Institute of Technology, Cambridge, Massachusetts, 1978
Witkin Gallery, New York, 1973 and 1975
Photo-Vision 72; Photo-Vision 75,Boston Center for the Arts, 1972 and 1975
Members Exhibition,Friends of Photography, Carmel, California, 1971
Christmas Exhibition,Witkin Gallery, New York, 1969
SELECTED GRANTS AND COMMISSIONS
Commission to photograph the Fuchs Birdsong Gardens 2016-2017
Florence Gould Foundation (grant), 2004
Photographs of the architecture of Vassar College, 2003–2004
American Academy in Rome, Visiting Artist, 2002
Forbes ASAP Magazine, photographic essay on architecture in Silicon Valley, 2001
New England Foundation for the Arts, photographic essay on Northern England and New England, 2000
The New Yorker, photographs, July 29, 1996; Feb. 24, 1997; Dec. 22/29, 1997, July 13 1998
Dance Ink Magazine, portfolio of photographs, Kevin O’Day, 1993
Dance Anthology Project for Jacob's Pillow, Becket, Massachusetts, in collaboration with Ralph Lemon, 1993; and Eiko and Koma, 1994
Fondation Ledoux, Arc-et-Senans, France, photographs of architecture of Claude-Nicolas Ledoux. 1991
Close Up magazine (Polaroid Corporation), portfolio of photographs from Bomarzo, Italy,1986
REVIEWS & ARTICLES
Berger, Jane. "Books: A Potpourri." Garden Design Online. August 2, 2018. http://www.gardendesignonline.com/gardendesignonline/books/
Bernstein, Fred A. "A Private Connecticut Garden is Philip Trager's Latest Obsession." 1stdibs. May 6, 2018. http://www.1stdibs.com/introspective-magazine/philip-trager-birdsong/
Rosen, Miss. "Striking Snapshots of 1970s New York." Huck Magazine. February 16, 2018. http://www.huckmagazine.com/art-and-culture/photography-2/striking-snapshots-1970s-new-york/
Photography Monthly. Vol. 592. May 2017.
Gavard-Perret, Jean-Paul. "Philip Trager, Ina." Lelitteraire.com. March 23, 2017. www.lelitteraire.com/?p=29344
"Philip Trager, Ina." L'Oeil de la Photographie. March 22, 2017.
Blaustein, Jonathan. “This Week in Photography Books: Philip Trager.” aPhotoEditor.com. January 20, 2017.
"Dans l'oeil du viseur." Ideat. December 15, 2016. ideat.thegoodhub.com/2016/12/15/decouvrez-new-york-sur-papier-glace/
Rivera, Richard. “Philip Trager: New York in the 1970s.” New York Journal of Books. December 9, 2016.
Frost, Simon. “New York in the 1970s.” B&W (Black & White Magazine)
Moody, Erica. “Book Talk: Snapshot of Philip Trager.” Washington Life Magazine. November 9, 2016.
Correal, Annie. “Images of a Less Crowded New York.” The New York Times. October 28, 2016.
Rivera, Richard. “Philip Trager: Photographing Ina.” New York Journal of Books. October 24, 2016.
“Philip Trager’s Photos Offer New Perspective on 1970s New York Architecture.” Real Clear Life. October 22, 2016.
“Philip Trager, Photographing Ina.” L’Oeil de la Photographie. October 21, 2016.
Pinson, Stephen C. “Philip Trager, New York in the 1970s.” L’Oeil de la Photographie. October 19, 2016.
“Steidl Publishes ‘New York in the 1970s by Philip Trager.’” Artdaily.org. October 12, 2016.
Williams, Eliza. “New York in the 1970s Looks Incredible in this New Book.” Creative Review. October 5, 2016.
Kosinski, Dorothy. “Conversation with Philip Trager.” The Huffington Post. September 2, 2016.
Parker, Caitlin. “Philip Trager at the New York Public Library.” Artnet.com. March 4, 2013.
Pantazi, Chloe. "Making Movement Out of Stillness: Philip Trager's Architectural Photography." Hyperallergic. February 13, 2013. hyperallergic.com/65148
Gopnik, Blake. “Philip Trager’s New England Candor.” The Daily Beast. January 16, 2013.
“The Early Work of Photographer Philip Trager on Display at the New York Public Library.”
Artdaily.org. October 14, 2012.
Knoblauch, Loring. “Echoes of Silense: Philip Trager, Early Photographs, 1967-83 @ NYPL.” DLK Collection. December 19, 2012.
Meyers, William. “Taking Stills of Life in America.” The Wall Street Journal. October 20-21, 2012: A21.
Prevost, Helene. “Philip Trager: Perception in photography” Article and portfolio. Philosophy of Photography, vol.2, no.2 (2011), pp.283-296.
Riboud, Marc. Des images et des mots, Paris: Editions Delpire, 2012.
Delhourne, Olivier. “Philip Trager- Photographe Et Maître Du Temps.” Cover and portfolio. ARTPASSIONS, nombre 26. Juin 2011: 86-91
O’Sullivan, Shawn. “Creative Journey: Philip Trager.” Article and portfolio. B&W (Black & White Magazine), vol. 12, no. 74 (April, 2010): 40-53.
Jackson, George. “Dancers in Daylight.” Danceviewtimes. December 28, 2009.
National Building Museum. “Philip Trager: Form and Movement.” Video from the National Building Museum, Washington, D.C. December 18, 2009.
Humphery, Reed Haslach. “Presence and Flow in the Photographs of Philip Trager.” National Building Museum Online (December 2009).
“A Life in Pictures.” Washington Life. (November 2009): 76.
AIA. “AIA Partners with National Building Museum on Trager Photography Exhibition.” AIArchitect, vol. 16 (October 23, 2009).
The Library of Congress: Webcasts. “A Discussion with Philip Trager, Architectural Photographer.” Talk given October 8, 2009 at Library of Congress, Washington, D.C.
Merry, Stephanie. “Goingoutguide.com.” The Washington Post. October 3, 2009: 8.
Dietsch, Deborah K. “Grand and Gritty.” The Washington Times. August 9, 2009: 24-25.
Harvey, Anthony L. “At the Museums.” The InTowner. Vol. 41, no. 2 (August 2009): 10.
Longaker, Mark. “Museum celebrates ‘Year of the Photograph’.” The Georgetown Current. July 22, 2009: 31, 36.
Haslach, Reed and Laura Burd Schiavo. “A Conversation with Philip Trager.” ViewCamera, vol. 21, no. 3 (May/June, 2009): 34-42.
“Library of Congress is Repository for Photographs by Philip Trager, Now Featured in National Building Museum Exhibition.” News from the Library of Congress. July 16, 2009.
Miller, Tricia. “Photography Melds Movement and Architecture: Building Museum Celebrates Philip Trager.” Roll Call, vol. 55, no. 8. (July 16, 2009) and www.rollcall.com (July 16, 2009).
Murphy, Heather. “Philip Trager Suspends Time.” NPR: The Daily Picture Show. July 15, 2009.
"A Conversation with Philip Trager." View Camera. May/June, 2009.
“Book: Dancers, Photographs by Philip Trager.” DLK Collection. March 4, 2009.
Cassidy, Victor. Book Focus: Review of Philip Trager. Focus Fine Art Photographic Magazine. No.16 (April 2008).
Times Literary Supplement (London). January 2007.
“Culture: Books.” Review of Philip Trager. Architect Magazine. January 1, 2007.
“Noted with Appreciation.” Lexiphane. December 31, 2006.
“Towering Talent.” Lexiphane. December 22, 2006.
Meyers, William. “The Power of a Big Camera with Ideas to Match.” The New York Sun. December 21, 2006.
Miller, Debora. Review of Philip Trager. Library Journal. December 15, 2006.
American Photo. November 28, 2006. www.popphoto.com
O’Sullivan, Shawn. Review of Philip Trager. Black & White Magazine. Vol.8, no.6 (October 2006).
Lapin, Mark. “Forty Years of Original Vision.” 
Damsker, Matt. Review of Philip Trager E-Photo Newsletter #109 .
Trager, Philip. Portfolio. Cold Mountain Review, vol. 34, no. 2 (Spring 2006): jacket, 24–29.
“Philip Trager: A Retrospective.” Friends of the Davison Art Center. Vol. 41, no. 2 [Spring 2006]
“Davison Art Center, Wesleyan University, Presents ‘Philip Trager: A Retrospective’.” Antiques and the Arts Weekly (May 5, 2006).
Damsker, Matt. Review of Faces “E-Photo Newsletter #101” .
Friedman, Roger. Review of Faces .
O’Sullivan, Shawn. “New Books for the New Year.” Review of Faces. B&W (Black & White Magazine), vol. 8, no. 1 (February, 2006): 56-57.
Nye, Valerie. Review of Faces. . LibraryJournal.com
C.D. Review of Faces. Süddeutsche Zeitung, Munich. October 18, 2005.
“History of Environmental Dance Photography.”
McDarrah, Fred W., Gloria S. McDarrah, and Timothy S. McDarrah. Review of Changing Paris. American Society of Picture Professionals .
Gigliotti, Laura. “Trager, l’arte del Palladio com’era nel Rinascimento.” Exhibition review of Le Ville del Palladio, Museo Nazionale Etrusco di Villa Giulia. Il Giornale (Rome), October 15, 2002.
Brokaw, Nancy. “The View From Abroad: Some Recent Travel Pictures.” Review of Changing Paris. Photo Review, vol. 24, nos. 1–2 (winter–spring 2001): 21 ff.
Maine Photographic Workshops, video, Philip Trager, Rockport, Maine, 2001.
Temin, Christine. “Photos Capture Dancers, Scenery of Jacob’s Pillow.” Exhibition review of Look Out! Photographing Dancers Outdoors, Jacob’s Pillow. Boston Globe, August 22, 2001.
Review of Changing Paris. WashingtonPost.com (2000)
Fay, Lisel. “Adoring Paris: Philip Trager’s Photographs, Plus More Books, Films and Music.” France Today, vol. 15, no. 2 (March–April 2000): 7.
Fry, Thomas K. Review of Changing Paris. Library Journal, vol. 125, no. 6 (April 1, 2000): 120.
W., K. H. “Paris sera toujours Paris!” Review of Changing Paris. France-Amérique: Édition internationale du Figaro, April 15–21, 2000.
Mercier, Isabelle. “Paris pour toile de fond.” Review of Changing Paris. Le Journal Français (July 2000): 27.
Photo Review Newsletter (September–October 2000): 1.
Michaels, Barbara L. Review of Changing Paris. Art on Paper, vol. 5, no. 2 (November–December 2000): 87–88.
“Of Special Note.” Review of Changing Paris. Wesleyan Alumni Magazine (December 2000): 30.
McDarrah, Gloria S., Fred W. McDarrah, and Timothy S. McDarrah. The Photography Encyclopedia. New York: Schirmer Books, 1999, p. 492.
The New Yorker, photograph by Philip Trager of the Miami City Ballet (July 13, 1998).
The New Yorker, photograph by Philip Trager of David Dorfman and Dan Froot (February 24/March 3, 1997).
Temin, Christine. “John Lindquist: Capturing Soul of Jacob’s Pillow.” Exhibition review of John Lindquist at Jacob’s Pillow, Harvard Theater Collections. Boston Globe, March 18, 1997.
Smith, Rosalind. “Philip Trager: Portraits of Architecture.” View Camera, vol. 10, no. 5 (September–October 1997): 28–33.
The New Yorker, photograph by Philip Trager of Elizabeth Streb (December 22/29,1997).
Temin, Christine. “Capturing Dancers in the Wild: Perspectives.” Boston Globe, May 1, 1996, City edition.
Zimmer, William. “At Wesleyan, Print and Photography, Jim Dine and Philip Trager.” New York Times, May 5, 1996, Connecticut edition.
The New Yorker, photograph by Philip Trager of the Everett Dance Theater (July 29, 1996).
Owen, Norton. “Dancers: Photographies de Philip Trager.” Journal Galeries Photo, no. 32 (July–September 1994).
“The Body.” Mirabella (November 1994): 60–64.
Intelligencer. New York (November 21, 1994): 18.
Berman, Janice. “Dancing out and about.” Review of Dancers. New York Newsday, January 3, 1993.
Siegel, Marcia B. “Translations,” Dance Ink vol. 4, no. 1 (spring 1993): 20–29.
Review of Dancers. American Libraries, vol. 24 (April 1993): 360.
Parry, Jann. “With Air as a Medium.” Review of Dancers. Times Literary Supplement (London), April 16, 1993.
Trager, Philip. “Kevin O’Day.” Dance Ink, vol. 4, no. 2 (summer 1993): 10–15.
Zimmer, William. “Honoring a ‘Refined Vision.’” New York Times, July 19, 1992. Connecticut edition.
Solomon, Charles. “Paperbacks.” Review of The Villas of Palladio. Los Angeles Times Book Review, July 26, 1992.
Review of Dancers. Publishers Weekly, vol. 239, no. 36 (August 10, 1992): 65.
Dolgoff, Stephanie. “Free-Form Dancing under the Heavens.” American Photo, vol. 3, no. 5 (September–October, 1992).
Raynor, Vivien. “Leaving Roadside Blurs Behind, Photographer Takes Firm Stand.” New York Times, September 6, 1992. Connecticut edition.
Goldberg, Vicki. “Photography.” New York, vol. 25, no. 36 (September 14, 1992): 102–105
O’Hara, Kate. “Photography.” Review of Dancers. New York, vol. 25, no. 36 (September 14, 1992): 104–106.
Seaman, Donna. Review of Dancers. Booklist, vol. 89, no. 2 (September 15, 1992): 113.
Collins, Amy Fine. “For the Image-Conscious: Fall’s Best Photo Books on Display.” Review of Dancers. Vanity Fair (October 1992).
“Openings.” Art and Antiques (October 1992): 21.
Stahl, Joan. Review of Dancers. Library Journal, vol. 117, no. 17 (October 15, 1992): 70.
Perlmutter, Donna. Review of Dancers. Los Angeles Times Book Review, October 18, 1992.
Green, Harris. Review of Dancers. Dance Magazine (November 1992): 13.
Review of Dancers. Photo District News (November 1992): 130.
Hagen, Charles. “Paradox of Freezing the Essence of Movement.” New York Times, November 6, 1992.
Gamerman, Amy. “Photography.” Review of Dancers. Wall Street Journal, December 1, 1992.
Foerstner, Abigail. “Photography: Gift Books Offer the Best for Lovers of the Art.” Review of Dancers. Chicago Tribune, December 4, 1992.
Goldberg, Vicki. “Photography.” Review of Dancers. New York Times Book Review, December 6, 1992.
“All I Want for Christmas. . .” Review of Dancers. Newsweek, vol. 120 (December 7, 1992): 70 ff.
Avery, Marie-Louise. “Photography.” Times (London), December 17, 1992.
Ulrich, Allan. “When All Your Living Room’s a Stage.” Review of Dancers. San Francisco Examiner, December 18, 1992.
“The Villas of Palladio: Firmitas, Venustas, Utilitas.” Dialogo (1991–1992): 14 ff.
Raynor, Vivien. “Capturing the Range of Nature in an Exhibition on Wave Hill.” Exhibition review. New York Times, June 23, 1991.
Dalva, Nancy. “Mark Morris Comes Home.” Dance Ink, vol. 2, no. 2 (July–August 1991).
Hagen, Charles. “At Wave Hill, Four Strolls Down the Garden Path.” Exhibition review. New York Times, August 18, 1991.
Mathews, Shirley. “Photographing Palladio’s Villas.” Photo District News (June 1990): 20–21.
Kolb, Carolyn. Review of The Villas of Palladio. Journal of the Society of Architectural Historians, vol. 48, no. 1 (March 1989): 285–287.
“Aspects of Architecture.” Designweek (May 26, 1989).
Luce, James. “When Dreamy Spires Aspire to Become Art.” Exhibition review of Aspects of Architecture, Portfolio Gallery, London. Designweek, June 9, 1989.
Nurnberg, Walter. “Architects in Photo Imagery.” British Journal of Photography (London), vol. 136 (June 22, 1989): 15.
“The Villas of Palladio.” The Manipulator, no. 11 (1987).
Auchincloss, Eve. “Palladio Country.” Review of The Villas of Palladio. Connoisseur (February 1987).
“Winter Book Selection.” Art in America (February 1987).
Dickson, C. J. “Book Bits.” Review of The Villas of Palladio. American Photographer, vol. 18, no. 3 (March 1987): 76.
Times Literary Supplement (London). May 1, 1987.
“Palladio vu par un photographe américain.” Camera International, no. 11 (summer 1987): 14.
Zimmer, William. “Photographic View of Palladio’s Villas.” New York Times, June 21, 1987. Connecticut edition.
Freiman, Ziva. “Paper Architecture: The Design of Design Books.” Metropolis: The Architecture and Design Magazine of New York (July–August 1987).
“In Debt to Palladio.” Photographs by Philip Trager. Historic Preservation (July–August, 1987): 38–41.
DiGregorio, John. Review of The Villas of Palladio. Progressive Architecture, vol. 68 (August 1987): 115.
Kessler, Pamela. “Defining Images of the World.” Exhibition review of The Villas of Palladio, Jones Troyer Gallery, Washington, D.C. The Washington Post, September 19, 1987.
Bryant, H. Stafford, Jr. Review of The Villas of Palladio. The Magazine Antiques, vol. 132 (October 1987): 698.
Thorson, Alice. “Essense [sic] of Italy, Ireland in Photo Series.” Exhibition review of The Villas of Palladio, Jones Troyer Gallery, Washington, D.C. Washington Times, October 8, 1987.
The Birmingham News (Birmingham, Alabama), October 25, 1987.
Eaton, Sarah. Review of The Villas of Palladio. Views: The Journal of Photography in New England, vol. 8, no. 2 (winter 1987).
Wise, Kelly. “A Rich Menu of Travel Images.” Exhibition Review of Paul Caponigro, Emmet Gowin, Jay Maisel, Richard Pare, and Philip Trager, at Clarence Kennedy Gallery, Cambridge, Massachusetts. Boston Globe, 1986.
Halpern, Daniel. “Palladio and Vicenza.” Photographs by Philip Trager. Close-Up, vol. 16, no. 1 (spring 1986): 32–36.
Scully, Vincent. “Palladio in Context: The Classical and Vernacular Traditions.” Close-Up, vol. 16, no. 1 (spring 1986): 37–43.
Strand, Mark. “Bomarzo: Garden of Monsters.” Photographs by Philip Trager. Close-Up, vol. 16, no. 1 (spring 1986): 44–47.
“News of the Print World: People and Places.” Print Collector’s Newsletter, vol. 17, no. 5 (November–December 1986): 176.
Cockburn, Alexander. “Artful Presents.” Review of The Villas of Palladio. House and Garden, vol. 156 (December 1986): 33.
Slonim, Jeffrey J. “Best Books.” Interview, vol. 16, no. 12 (December 1986): 224–227.
Campbell, Robert. “Architecture.” Boston Globe, December 7, 1986.
Forgey, Benjamin. “House Parties.” Washington Post, December 7, 1986.
Goldberger, Paul. “Christmas Books: Architecture.” New York Times, December 7, 1986.
Prescott, Peter, “Deck the Halls,” Review of The Villas of Palladio. Newsweek, vol. 108 (December 8, 1986): 88 ff.
Wilson, Robert. “Focus on Photography: From Beaton to Weston.” Review of The Villas of Palladio. USA Today, December 19, 1986.
Raynor, Vivien. “Whitney Exhibit Looks Into the World of the Car.” New York Times, May 6, 1984.
Photo Profiles, Philip Trager (video), Images Productions, Cincinnati, Ohio, 1983.
L., B. “Recent Books.” Leica Fotografie (Munich), May 1983.
“Philip Trager.” Zoom (Milan), [ca. 1982].
Semple, Hugh. Review of Philip Trager: New York. Photoworks, vol. 2, no. 1 (January–March 1982): 15.
Review of Wesleyan Photographs. Friends of Photography Newsletter (July 1982).
“Bücher.” Review of Wesleyan Photographs. Print Letter, vol. 7, no. 5–6 (September–December 1982): 36, 38.
Maricevic, Vivienne. “Books: Briefly.” Review of Wesleyan Photographs. Camera Arts, vol. 2, no. 6 (October 1982): 95.
Review of Wesleyan Photographs. Creative Camera, no. 214 (October 1982).
“Books Received.” Print Collector’s Newsletter, vol. 13, no. 5 (November–December 1982): 184.
Muchnic, Suzanne. “Book Reviews: Callahan, Trager, Outerbridge.” Photo Show, vol. 1, no. 4 (1981).
Review of Philip Trager: New York. University Press Books for Public Libraries. Chicago: Public Library Association, American Library Association, 1981.
Vision. “American Photographers Today.” Kennasuke Adaachi, Japan. 1981.
Elton, Lynne. “Philip Trager at Witkin.” Art in America, vol. 69 (February 1981): 152–153.
Castells, Lara. “Philip Trager en el ‘Centre International de Fotografia.’ ” El Noticiero Universal
(Barcelona), March 12, 1981.
Kramer, Hilton. “City of the Past Star of Current Photo Shows.” New York Times, March 27, 1981.
Misani, Marco. “Books.” Review of Echoes of Silence. Print Letter, vol. 6, no. 4 (July–August 1981).
Kramer, Hilton. “Art: Manhattan, Then and Now, in 2 New Shows.” Exhibition review. New York Times, July 3, 1981.
Nuova Fotografia (Naples) (October 1981): 52–53.
Cioffi, Ron. “Phillip [sic] Trager in New York.” Views: A New England Journal of Photography, vol. 2, no. 2 (winter 1981): 1.
Scully, Julia. “Seeing Pictures.” Modern Photography [ca. 1980–82].
Owens, Don. “Philip Trager.” Photoshow, no. 2 (1980).
Edwards, Owen. “Exhibitions: A Gossamer Gotham.” American Photographer, vol. 5, no. 3 (September 1980): 29–30.
Auchincloss, Louis. “City Shapes: Photographs by Philip Trager.” Camera Arts (November–December, 1980): 64–71.
Misani, Marco. “Books.” Review of Philip Trager: New York. Print Letter, vol. 5, no. 6 (November–December 1980): 26.
Halebian, Carol. “Cityscapes.” Camera 35, vol, 25, no. 10 (November 1980): cover, 36–43.
Kramer, Hilton. “Photography.” Review of Philip Trager: New York. New York Times Book Review, November 30, 1980.
Edwards, Owen. “The Photographer’s Art.” Saturday Review Magazine, vol. 7 (December 1980): 81–82.
Express, vol. 1, no. 1 (December 1980): cover, 5.
AAUP Book and Jacket Show, 1978. Book Show Committee of the Association of American University Presses, 1978.
Sealfon, Peggy. “Following the Beat of an Inner Drummer.” Print Letter 15 (May–June 1978): cover, 12–20.
Paraschos, Janet Nyberg. “Reviews of Books About Preservation.” American Preservation, vol. 1, no. 6 (August–September 1978): 83.
B., D. “Philip Trager: Photographs of Architecture.” Review of Philip Trager: Photographs of Architecture. Print Letter [ca. 1977].
Times Literary Supplement (London). February 18, 1977.
Shirey, David L. “Ageless Architecture.” New York Times, April 10, 1977. Connecticut edition.
Fremont-Smith, Eliot. Village Voice, April 11, 1977.
“Books Received.” Print Collector’s Newsletter, vol. 8, no. 2 (May–June 1977): 52.
Jandl, H. Ward. Review of Photographs of Architecture. Library Journal, May 1, 1977.
Review of Photographs of Architecture. Booklist, vol. 73, no. 20 (June 15, 1977): 1546.
Nichols, Ashton. “Looking at Books.” Preservation News. July 1977: 13.
“New Books.” International Museum of Photography at George Eastman House (fall 1977).
Fischer, Hal. “DeCastro’s Israel, Trager’s Architecture.” Review of Photographs of Architecture. Artweek, September 24, 1977.
Bloomfield, Arthur. “Buildings Posed Perfectly.” Exhibition review of New England Architecture: Philip Trager, Focus Gallery, San Francisco. San Francisco Examiner, September 27, 1977.
Review of Photographs of Architecture. Camera, vol. 56, no. 10. (October 1977).
Mellow, James. “Photography.” New York Times Book Review, December 4, 1977.
“Philip Trager.” Creative Camera, no. 135 (September 1975): cover, 314–317.
Albright, Thomas. Exhibition review of Ron Stark/Phil Trager, San Francisco Museum of Art. San Francisco Chronicle, January 12, 1974.
“Trager and Stark.” Artweek, February 2, 1974.
Coleman, A. D. “Shows We’ve Seen.” Exhibition review of Ron Stark/Philip Trager, San Francisco Museum of Art. Popular Photography, vol. 74, no. 6 (June 1974): 37.
Shirey, David L. “Making the Rounds of Photo Shows.” Exhibition review of Philip Trager, Witkin Gallery, New York. New York Times, July 1, 1972.
Coleman, A. D. “Death as a Living Reality.” Exhibition review of Philip Trager, Witkin Gallery, New York. Village Voice, July 13, 1972.